November


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About

In this tale of love and survival in 19th century Estonia, peasant girl Liina longs for village boy Hans, but Hans is inexplicably infatuated by the visiting German baroness that possesses all that he longs for. For Liina, winning Hans’ requited love proves incredibly complicated in this dark, harsh landscape where spirits, werewolves, plagues, and the devil himself converge, where thievery is rampant, and where souls are highly regarded, but come quite cheap. With alluring black and white cinematography, Rainer Sarnet vividly captures these motley lives as they toil to exist—is existence worth anything if it lacks a soul?

Jan Bijvoet - Theo

Jan Bijvoet was born in Antwerp in 1966. He has been one of the artistic directors and actors of the Antarctica Theater since 2005. He has also performed in film and television, guest-starring in a number of series. He has starred in the films AD FUNDUM, THE BROKEN CIRCLE BREAKDOWN (Academy® Award nominee), and BORGMAN (Official Selection – Competition, Cannes 2013). In 2007, he was nominated for the Flemish Culture Award of Scenic Arts. Referring to the German explorer who was the inspiration for his character, he reflects that even though Grünberg tried to integrate with the native people, he could not let go of his white spirit. “He had the western way of thinking, and he wanted to carry hundreds of things to study. Love is possession, too. He is also afraid of death. He doesn’t understand why, but it’s because deep down, he is a materialist since his formation, even though he tries to drift away from it.”

Brionne Davis - Evan

Brionne Davis was born in Texas and started acting at a very early age, playing Tom Sawyer. He has starred and taken leading roles in more than 30 independent feature length and short films and television series, including REST STOP: DON’T LOOK BACK (2008), DOROTHY AND THE WITCHES OF OZ (2012), Pandemic (2007), NARCISSIST (2014), SAVAGED (2013), and HOLIDAYS WITH HEATHER (2006). In New York, Brionne starred in the Theatre Row adaptation of Sam Shepard’s “True West.” He has appeared in many theater productions all across the country, including “Wallenburg” at the Soho Playhouse, “A Noble Exile” in Los Angeles and “Nueva York,” a one-man show that he wrote  and produced, inspired by the writings of Tennessee Williams. Davis’ character “Evan” in EMBRACE OF THE SERPENT was inspired by the great botanist and explorer Richard Evans Schultes, and he feels close to him in his love of and search for plants and nature.

Antonio Bolívar Savador - Old Karamakate

Antonio Bolívar Salvador is one of the last survivors of the Ocaina people. He resides near Leticia and has had some previous experiences in filmmaking, but he prefers not to speak about them because he feels that they were disrespectful to his culture. Besides playing one of the main characters, he also served as interpreter for the Tikuna, Cubeo, Huitoto languages and even English, as he became the teacher of the international actors. He represents the best of the Amazonian people: willing to trust foreigners, to transmit their knowledge and thankful to be treated respectfully. That’s the most important aspect of the film to him: “It is a film that shows the Amazon, the lungs of the world, the greater purifying filter and the most valuable of indigenous cultures. That is its greatest achievement.”

Nilbio Torres - Young Karamakate

Nilbio Torres has never set foot in a gym; his amazing physique has been sculpted by the hardships of the jungle and the hard work he’s done since he was little. The 30- year-old has only worked in agriculture and this is his first experience with the cinema. He has a hard time expressing himself in Spanish, as he speaks mostly Cubeo. But he manages to find words to tell what this experience has meant to him. He feels the film is faithful to the story of his ancestors. “What Ciro is doing with this film is an homage to the memory of our elders, in the time before: the way the white men treated the natives, the rubber exploitation. I’ve asked the elders how it was and it is as seen in the film, that’s why we decided to support it. For the elders and myself it is a memory of the ancestors and their knowledge.”

Yauenkü Miguee - Manduca

Yauenkü Miguee was born and raised in Nazareth, a Tikuna community of the Amazon, 26 years ago. He is now a student of physical education in Bogotá and is about to achieve his greatest goal: to become a professional. He defines his participation in the film as a new experience in his life, this time from the field of art and corporal expression, which reinforced his thinking and showed him how to see life from different perspectives. He believes this film should be shared not only with the people of the locations, but all across the country, with all the indigenous peoples in Leticia and the Amazon, with the leaders, in schools and universities. He is the voice of many Manducas, a voice that, far away from the so-called civilization, cries out for a more civilized attitude towards Colombia’s indigenous communities.

Screenings

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Press

  • “A deeply peculiar folklore-informed picture in which unrequited love is more troubling than the plague, the Devil, and a forest full of ghosts, Rainer Sarnet's NOVEMBER upends any expectations moviegoers may have when they hear the words ‘black-and- white film from Estonia."John DeFore, THE HOLLYWOOD REPORTER
  • “Where most old-world yarn spinners would take the building blocks of freaky Freudian bedtime stories (sleepwalking damsels, deals with the devil, witches, werewolves, class warfare) and milk them dry, Sarnet doesn't stop until he's fried them (and your frontal lobe) to a crisp.” David Fear, ROLLING STONE
  • “Shot in stunning black and white, NOVEMBER is a beguiling mash-up of Estonian pagan and European Christian mythologies that ultimately grapples with the existence of the soul.”Emily Buder, NO FILM SCHOOL

Contact

For press inquiries, please contact:
Sydney Tanigawa
212-219-4029 ext. 41
[email protected]
For booking inquiries, please contact:
Andrew Carlin
Oscilloscope Laboratories
630-445-1215
[email protected]
For all other inquiries, please contact:
[email protected]